At the end of a long and neglected hall on the second floor of the old bank block in Hill Street, Whispering Smith had a room in which he made headquarters at Medicine Bend; it was in effect Whispering Smith's home. A man's room is usually a forlorn affair in spite of any effort to make it home-like. If he neglects his room it looks barren, and if he ornaments it it looks fussy. Boys can do something with a den because they are not yet men, and some tincture of woman's nature still clings to a boy. Girls are born to the deftness that is to become all theirs in the touch of a woman's hand; but men, if they walk alone, pay the penalty of loneliness.
Whispering Smith, being logical, made no effort to decorate his domestic poverty. All his belongings were of a simple sort and his room was as bare as a Jesuit's. Moreover, his affairs, being at times highly particular, did not admit of the presence of a janitor in his quarters, and he was of necessity his own janitor. His iron bed was spread with a pair of Pullman blankets, his toilet arrangements included nothing more elaborate than a shaving outfit, and the mirror above his washstand was only large enough to make a hurried shave, with much neck-stretching, possible. The table was littered with letters, but it filled up one corner of the room, and a rocking-chair and a trunk filled up another. The floor was spread with a Navajo blanket, and near the head of the bed stood an old-fashioned wardrobe. This served not to ward Whispering Smith's robes, which hung for the most part on his back, but to accommodate his rifles, of which it contained an array that only a practised man could understand. The wardrobe was more, however, than an armory. Beside the guns that stood racked in precision along the inner wall, McCloud had once, to his surprise, seen a violin. It appeared out of keeping in such an atmosphere and rather the antithesis of force and violence than a complement for it. And again, though the rifles were disquietingly bright and effective-looking, the violin was old and shabby, hanging obscurely in its corner, as if, whatever it might have in common with its master, it had nothing in common with its surroundings.