For almost three years the letters from Manley had been headed "Cold Spring Ranch." For quite as long Val had possessed a mental picture of the place--a picture of a gurgly little brook with rocks and watercress and distracting little pools the size of a bathtub, and with a great, frowning boulder--a cliff, almost--at the head. The brook bubbled out and formed a basin in the shadow of the rock. Around it grew trees, unnamed in the picture, it is true, but trees, nevertheless. Below the spring stood a picturesque little cottage. A shack, Manley had written, was but a synonym for a small cottage, and Val had many small cottages in mind, from which she sketched one into her picture. The sun shone on it, and the western breezes flapped white curtains in the windows, and there was a porch where she would swing her hammock and gaze out over the great, beautiful country, fascinating in its very immensity.
Somewhere beyond the cottage--"shack," she usually corrected herself--were the corrals; they were as yet rather impressionistic; high, round, mysterious inclosures forming an effective, if somewhat hazy, background to the picture. She left them to work out their attractive details upon closer acquaintance, for at most they were merely the background. The front yard, however, she dwelt upon, and made aglow with sturdy, bright-hued flowers. Manley had that spring planted sweet peas, and poppies, and pansies, and other things, he wrote her, and they had come up very nicely. Afterward, in a postscript, he answered her oft-repeated questions about the flower garden: The flowers aren't doing as well as they might. They need your tender care. I don't have much time to pet them along. The onions are doing pretty well, but they need weeding badly.