Arline Gives a Dance

A house, it would seem, is almost the least important part of a ranch; one can camp, with frying pan and blankets, in the shade of a bush or the shelter of canvas. But to do anything upon a ranch, one must have many things--burnable things, for the most part, as Manley was to learn by experience when he left Val at the hotel and rode out, the next day, to Cold Spring Coulee.

To ride over twenty miles of blackness is depressing enough in itself, but to find, at the end of the journey, that one's work has all gone for nothing, and one's money and one's plans and hopes, is worse than depressing. Manley sat upon his horse and gazed rather blankly at the heap of black cinders that had been his haystacks, and at the cold embers where had stood his stables, and at the warped bits of iron that had been his buckboard, his wagon, his rake and mower--all the things he had gathered around him in the three years he had spent upon the place.

The house merely emphasized his loss. He got down, picked up the cat, which was mewing plaintively beside his horse, snuggled it into his arm, and remounted. Val had told him to be sure and find the cat, and bring it back with him. His horses and his cattle--not many, to be sure, in that land of large holdings--were scattered, and it would take the round-up to gather them together again. So the cat, and the horse he rode, the bleak coulee, and the unattractive little house with its three rooms and its meager porch, were all that he could visualize as his worldly possessions. And when he thought of his bank account he winced mentally. Before snow fell he would be debt-ridden, the best he could do. For he must have a stable, and corral, and hay, and a wagon, and--he refused to remind himself of all the things he must have if he would stay on the ranch.