Disillusionment

Hughie had kept his word and ridden over several times to teach her the steps, and they had practised them on the hard-trodden ground in front of the cook tent, where the dust could be kept down by frequent sprinkling. If the waltz and the polka and schottische sent her blood racing under such adverse conditions, what must it be like on a real floor with real music, she asked herself ecstatically. These dancing lessons were provocative of much merriment and teasing from the Toomeys. While Hugh did not resent it or defend Kate, he did not join in their ridicule of her. She was "green," he could not deny that, yet not in the sense the Toomeys meant. Naïve, ingenuous, he felt were better words. She knew nothing of social usages, and she was without a suspicion of the coquetry that he looked for in girls before they had begun to do up their hair. She spoke with startling frankness upon subjects which he had been taught were taboo. He admired and was accustomed to soft, helpless, clinging femininity, and it grated upon him to see Kate at the woodpile swinging an axe in a matter-of-fact way.

"It's because there's no one else around," he told himself, to explain the eagerness with which he rode over while he was teaching Kate to dance.

The boy was intelligent enough to recognize the fact that, however unschooled Kate might be in the things that counted in the outside world, she was not ignorant when it came to those within her ken. She knew the habits and peculiarities of wild animals and insects, every characteristic of sheep, and she was a nearly unfailing weather prophet through her interpretation of the meaning of wind and sky and clouds. Her knowledge of botany was a constant surprise to him, for she seemed to know the name and use of the tiniest plant that grew upon the range.