Miss Evelina sat alone, in her house, at peace with Anthony Dexter and with all the world. The surging flood of forgiveness and compassion which had swept over her as she gazed at his dead face, had broken down all barriers, abrogated all reserves. She saw that Piper Tom was right; had she forgiven him, she would have been free long ago.
She shrank no longer from her kind, but yearned, instead, for friendly companionship. Once she had taken off her veil and started down the road to Miss Mehitable's, but the habit of the years was strong upon her, and she turned back, affrighted, when she came within sight of the house.
Since she left the hospital, no human being had seen her face, save Anthony Dexter and his son. She had crept, nun-like, into the shelter of her chiffon, dimly taking note of a world which could not, in turn, look upon her. She clung to it still, yet perceived that it was a lie.
She studied herself in the mirror, no longer hating the sight of her own face. She was not now blind to her own beauty, nor did she fail to see that transfiguring touch of sorrow and peace. These two are sculptors, one working both from within and without, and the other only from within.
Why should she not put her veil forever away from her now? Why should she not meet the world face to face, as frankly as the world met her? Why should she delay?