Between Waking and Sleeping

Whenever the master of the house came to the kitchen, Nurse's witch-eye followed him animal-like; no movement of his, no expression, seemed to escape it. A curious observer might sometimes have remarked in her, during the few moments after the man's entrance, a muffled agitation, an irregularity of the breath, an obscure anxiety and suspense. This, however, would soon subside, and rarely recur during his stay. The phenomenon had been observable daily for nearly a score of years, yet nothing had meantime happened to explain or justify it. Had an original dread--groundless or not--prolonged its phantom existence precisely because it had never met with justification?

Often for weeks at a time, complete silence would obtain between master and Nurse. He would enter and ramble hither and thither the ample kitchen; eat what had been prepared for him, and be off again without a word or glance of acknowledgment. Or, again, pacing irregularly to and fro before the fireplace, he would pour forth long disjointed rhapsodies, wild speculations, hopes, and misgivings; his mood changing from solemn to gay, and round through gusty passion to morbid gloom. But never did he address his words to Nurse so much as to himself or to some imaginary interlocutor; and she for her part never answered him a syllable, but sat in silence through it all. Yet was she ever alert to listen, and sometimes the subdued trembling would come on and the obstruction of breath. But when the talker, in mid-excitement of speech, snatched his violin and drew from it melodies weirdly exquisite, soothing his diseased thoughts and harmonizing them, Nurse would become once more composed; the phantom danger was again put off, and the violinist would presently fall into silence,--sometimes into sleep. But still, while he slept, the witch-eye watched him; though with an expression of yearning, uncouth intensity which seldom ventured forth while he was awake.