The door opened, and the keeper of the sad abode (a surgeon of humanity and eminence) entered, followed by De Montaigne. Cesarini turned round and scowled upon the latter; the surgeon, after a few words of salutation, withdrew to a corner of the room, and appeared absorbed in a book. De Montaigne approached his brother-in-law,--"I have brought you some poems just published at Milan, my dear Castruccio,--they will please you."
"Give me my liberty!" cried Cesarini, clenching his hands. "Why am I to be detained here? Why are my nights to be broken by the groans of maniacs, and my days devoured in a solitude that loathes the aspect of things around me? Am I mad? You know I am not! It is an old trick to say that poets are mad,--you mistake our agonies for insanity. See, I am calm; I can reason: give me any test of sound mind--no matter how rigid--I will pass it; I am not mad,--I swear I am not!"
"No, my dear Castruccio," said De Montaigne, soothingly; "but you are still unwell,--you still have fever; when next I see you perhaps you may be recovered sufficiently to dismiss the doctor and change the air. Meanwhile is there anything you would have added or altered?"
Cesarini had listened to this speech with a mocking sarcasm on his lip, but an expression of such hopeless wretchedness in his eyes, as they alone can comprehend who have witnessed madness in its lucid intervals. He sank down, and his head drooped gloomily on his breast. "No," said he; "I want nothing but free air or death,--no matter which."