A SMOKE raised with the fume of sighs.
Romeo and Juliet.
IT is certain that Evelyn experienced for Maltravers sentiments which, if not love, might easily be mistaken for it. But whether it were that master-passion, or merely its fanciful resemblance,--love in early youth and innocent natures, if of sudden growth, is long before it makes itself apparent. Evelyn had been prepared to feel an interest in her solitary neighbour. His mind, as developed in his works, had half-formed her own. Her childish adventure with the stranger had never been forgotten. Her present knowledge of Maltravers was an union of dangerous and often opposite associations,--the Ideal and the Real.
Love, in its first dim and imperfect shape, is but imagination concentrated on one object. It is a genius of the heart, resembling that of the intellect; it appeals to, it stirs up, it evokes, the sentiments and sympathies that lie most latent in our nature. Its sigh is the spirit that moves over the ocean, and arouses the Anadyomene into life. Therefore is it that MIND produces affections deeper than those of external form; therefore it is that women are worshippers of glory, which is the palpable and visible representative of a genius whose operations they cannot always comprehend. Genius has so much in common with love, the imagination that animates one is so much the property of the other, that there is not a surer sign of the existence of genius than the love that it creates and bequeaths. It penetrates deeper than the reason, it binds a nobler captive than the fancy. As the sun upon the dial, it gives to the human heart both its shadow and its light. Nations are its worshippers and wooers; and Posterity learns from its oracles to dream, to aspire, to adore!