The curtain came down, the great singers bowed, and Siegmund felt the
spattering roar of applause quicken his pulse. It was hoarse, and
savage, and startling on his inflamed soul, making him shiver with
anticipation, as if something had brushed his hot nakedness. Quickly,
with hands of habitual tenderness, he put his violin away.

The theatre-goers were tired, and life drained rapidly out of the
opera-house. The members of the orchestra rose, laughing, mingling their
weariness with good wishes for the holiday, with sly warning and
suggestive advice, pressing hands warmly ere they disbanded. Other years
Siegmund had lingered, unwilling to take the long farewell of his
associates of the orchestra. Other years he had left the opera-house
with a little pain of regret. Now he laughed, and took his comrades'
hands, and bade farewells, all distractedly, and with impatience. The
theatre, awesome now in its emptiness, he left gladly, hastening like a
flame stretched level on the wind.

With his black violin-case he hurried down the street, then halted to
pity the flowers massed pallid under the gaslight of the market-hall.
For himself, the sea and the sunlight opened great spaces tomorrow. The
moon was full above the river. He looked at it as a man in abstraction
watches some clear thing; then he came to a standstill. It was useless
to hurry to his train. The traffic swung past the lamplight shone warm
on all the golden faces; but Siegmund had already left the city. His
face was silver and shadows to the moon; the river, in its soft grey,
shaking golden sequins among the folds of its shadows, fell open like a
garment before him, to reveal the white moon-glitter brilliant as living
flesh. Mechanically, overcast with the reality of the moonlight, he took
his seat in the train, and watched the moving of things. He was in a
kind of trance, his consciousness seeming suspended. The train slid out
amongst lights and dark places. Siegmund watched the endless movement,
fascinated.