Pelet's house was kept and his kitchen managed by his mother, a real old Frenchwoman; she had been handsome--at least she told me so, and I strove to believe her; she was now ugly, as only continental old women can be; perhaps, though, her style of dress made her look uglier than she really was. Indoors she would go about without cap, her grey hair strangely dishevelled; then, when at home, she seldom wore a gown--only a shabby cotton camisole; shoes, too, were strangers to her feet, and in lieu of them she sported roomy slippers, trodden down at the heels. On the other hand, whenever it was her pleasure to appear abroad, as on Sundays and fete-days, she would put on some very brilliant-coloured dress, usually of thin texture, a silk bonnet with a wreath of flowers, and a very fine shawl. She was not, in the main, an ill-natured old woman, but an incessant and most indiscreet talker; she kept chiefly in and about the kitchen, and seemed rather to avoid her son's august presence; of him, indeed, she evidently stood in awe. When he reproved her, his reproofs were bitter and unsparing; but he seldom gave himself that trouble.

Madame Pelet had her own society, her own circle of chosen visitors, whom, however, I seldom saw, as she generally entertained them in what she called her "cabinet," a small den of a place adjoining the kitchen, and descending into it by one or two steps. On these steps, by-the-by, I have not unfrequently seen Madame Pelet seated with a trencher on her knee, engaged in the threefold employment of eating her dinner, gossiping with her favourite servant, the housemaid, and scolding her antagonist, the cook; she never dined, and seldom indeed took any meal with her son; and as to showing her face at the boys' table, that was quite out of the question. These details will sound very odd in English ears, but Belgium is not England, and its ways are not our ways.