"As plainly as I see you now!" said little Jammes, whose legs were
giving way beneath her, and she dropped with a moan into a chair.
Thereupon little Giry--the girl with eyes black as sloes, hair black as
ink, a swarthy complexion and a poor little skin stretched over poor
little bones--little Giry added: "If that's the ghost, he's very ugly!"
"Oh, yes!" cried the chorus of ballet-girls.
And they all began to talk together. The ghost had appeared to them in
the shape of a gentleman in dress-clothes, who had suddenly stood
before them in the passage, without their knowing where he came from.
He seemed to have come straight through the wall.
"Pooh!" said one of them, who had more or less kept her head. "You see
the ghost everywhere!"
And it was true. For several months, there had been nothing discussed
at the Opera but this ghost in dress-clothes who stalked about the
building, from top to bottom, like a shadow, who spoke to nobody, to
whom nobody dared speak and who vanished as soon as he was seen, no one
knowing how or where. As became a real ghost, he made no noise in
walking. People began by laughing and making fun of this specter
dressed like a man of fashion or an undertaker; but the ghost legend
soon swelled to enormous proportions among the corps de ballet. All
the girls pretended to have met this supernatural being more or less
often. And those who laughed the loudest were not the most at ease.
When he did not show himself, he betrayed his presence or his passing
by accident, comic or serious, for which the general superstition held
him responsible. Had any one met with a fall, or suffered a practical
joke at the hands of one of the other girls, or lost a powderpuff, it
was at once the fault of the ghost, of the Opera ghost.