"It perplexes me," said Hilda thoughtfully, and shrinking a little;
"neither do I quite like to think about it."
"But, surely," said Kenyon, "you agree with Miriam and me that there is
something very touching and impressive in this statue of the Faun. In
some long-past age, he must really have existed. Nature needed, and
still needs, this beautiful creature; standing betwixt man and animal,
sympathizing with each, comprehending the speech of either race, and
interpreting the whole existence of one to the other. What a pity that
he has forever vanished from the hard and dusty paths of life,--unless,"
added the sculptor, in a sportive whisper, "Donatello be actually he!"
"You cannot conceive how this fantasy takes hold of me," responded
Miriam, between jest and earnest. "Imagine, now, a real being, similar
to this mythic Faun; how happy, how genial, how satisfactory would be
his life, enjoying the warm, sensuous, earthy side of nature; revelling
in the merriment of woods and streams; living as our four-footed kindred
do,--as mankind did in its innocent childhood; before sin, sorrow or
morality itself had ever been thought of! Ah! Kenyon, if Hilda and you
and I--if I, at least--had pointed ears! For I suppose the Faun had
no conscience, no remorse, no burden on the heart, no troublesome
recollections of any sort; no dark future either."
"What a tragic tone was that last, Miriam!" said the sculptor;
and, looking into her face, he was startled to behold it pale and
tear-stained. "How suddenly this mood has come over you!"