In other respects, she was a good subject for a portrait, being
distinguished by a gentle picturesqueness, which was perhaps
unconsciously bestowed by some minute peculiarity of dress, such as
artists seldom fail to assume. The effect was to make her appear like an
inhabitant of pictureland, a partly ideal creature, not to be handled,
nor even approached too closely. In her feminine self, Hilda was
natural, and of pleasant deportment, endowed with a mild cheerfulness of
temper, not overflowing with animal spirits, but never long despondent.
There was a certain simplicity that made every one her friend, but it
was combined with a subtile attribute of reserve, that insensibly kept
those at a distance who were not suited to her sphere.
Miriam was the dearest friend whom she had ever known. Being a year or
two the elder, of longer acquaintance with Italy, and better fitted to
deal with its crafty and selfish inhabitants, she had helped Hilda to
arrange her way of life, and had encouraged her through those first
weeks, when Rome is so dreary to every newcomer.
"But how lucky that you are at home today," said Miriam, continuing the
conversation which was begun, many pages back. "I hardly hoped to find
you, though I had a favor to ask,--a commission to put into your charge.
But what picture is this?"
"See!" said Hilda, taking her friend's hand, and leading her in front of
the easel. "I wanted your opinion of it."
"If you have really succeeded," observed Miriam, recognizing the picture
at the first glance, "it will be the greatest miracle you have yet
achieved."