Mad Lestrange

Memory cannot produce a picture that Imagination has not retouched; and her pictures, even the ones least touched by Imagination, are no mere photographs, but the world of an artist. All that is inessential she casts away, all that is essential she retains; she idealises, and that is why her picture of a lost mistress has had power to keep a man a celibate to the end of his days, and why she can break a human heart with the picture of a dead child. She is a painter, but she is also a poet.

The picture before the mind of Lestrange was filled with this almost diabolical poetry, for in it the little boat and her helpless crew were represented adrift on a blue and sunlit sea. A sea most beautiful to look at, yet most terrible, bearing as it did the recollections of thirst.

He had been dying, when, raising himself on his elbow, so to say, he looked at this picture. It recalled him to life. His willpower asserted itself, and he refused to die.

The will of a man has, if it is strong enough, the power to reject death. He was not in the least conscious of the exercise of this power; he only knew that a great and absorbing interest had suddenly arisen in him, and that a great aim stood before him--the recovery of the children.

The disease that was killing him ceased its ravages, or rather was slain in its turn by the increased vitality against which it had to strive. He left the hospital and took up his quarters at the Palace Hotel, and then, like the General of an army, he began to formulate his plan of campaign against Fate.