The principal apartments, as we have seen, were four in number, each
opening into the other. Access was given to them by a large scale
staircase, as they were then called, of unusual length and height, which
had its landing-place at the door of an antechamber, shaped somewhat
like a gallery. This apartment the abbot had used as an occasional
council-room, but it was now beautifully wainscoted with dark, foreign
wood of a brown colour, and bearing a high polish, said to have been
brought from the Western Indies, and to have been wrought in London with
infinite difficulty and much damage to the tools of the workmen. The
dark colour of this finishing was relieved by the number of lights
in silver sconces which hung against the walls, and by six large and
richly-framed pictures, by the first masters of the age. A massy oaken
table, placed at the lower end of the apartment, served to accommodate
such as chose to play at the then fashionable game of shovel-board;
and there was at the other end an elevated gallery for the musicians
or minstrels, who might be summoned to increase the festivity of the
evening.

From this antechamber opened a banqueting-room of moderate size, but
brilliant enough to dazzle the eyes of the spectator with the richness
of its furniture. The walls, lately so bare and ghastly, were now
clothed with hangings of sky-blue velvet and silver; the chairs were of
ebony, richly carved, with cushions corresponding to the hangings; and
the place of the silver sconces which enlightened the ante-chamber was
supplied by a huge chandelier of the same precious metal. The floor
was covered with a Spanish foot-cloth, or carpet, on which flowers and
fruits were represented in such glowing and natural colours, that you
hesitated to place the foot on such exquisite workmanship. The table, of
old English oak, stood ready covered with the finest linen; and a large
portable court-cupboard was placed with the leaves of its embossed
folding-doors displayed, showing the shelves within, decorated with a
full display of plate and porcelain. In the midst of the table stood a
salt-cellar of Italian workmanship--a beautiful and splendid piece of
plate about two feet high, moulded into a representation of the giant
Briareus, whose hundred hands of silver presented to the guests various
sorts of spices, or condiments, to season their food withal.