My story will take you into times and spaces alike rude and uncivil.
Blood will be spilt, virgins suffer distresses; the horn will sound
through woodland glades; dogs, wolves, deer, and men, Beauty and the
Beasts, will tumble each other, seeking life or death with their
proper tools. There should be mad work, not devoid of entertainment.
When you read the word Explicit, if you have laboured so far,
you will know something of Morgraunt Forest and the Countess Isabel;
the Abbot of Holy Thorn will have postured and schemed (with you
behind the arras); you will have wandered with Isoult and will know
why she was called La Desirous, with Prosper le Gai, and will
understand how a man may fall in love with his own wife. Finally, of
Galors and his affairs, of the great difference there may be between a
Christian and the brutes, of love and hate, grudging and open humour,
faith and works, cloisters and thoughts uncloistered--all in the green
wood--you will know as much as I do if you have cared to follow the
argument. I hope you will not ask me what it all means, or what the
moral of it is.
I rank myself with the historian in this business of
tale-telling, and consider that my sole affair is to hunt the argument
dispassionately. Your romancer must be neither a lover of his heroine
nor (as the fashion now sets) of his chief rascal. He must affect a
genial height, that of a jigger of strings; and his attitude should be
that of the Pulpiteer:--Heaven help you, gentlemen, but I know what is
best for you! Leave everything to me.