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SEQUEL

Fifteen months have passed, and we are brought on to Midsummer Night, 1867.

The picture presented is the interior of the old belfry of Carriford Church, at ten o'clock in the evening.

Six Carriford men and one stranger are gathered there, beneath the light of a flaring candle stuck on a piece of wood against the wall.

The six Carriford men are the well-known ringers of the fine-toned old bells in the key of F, which have been music to the ears of Carriford parish and the outlying districts for the last four hundred years. The stranger is an assistant, who has appeared from nobody knows where.

The six natives--in their shirt-sleeves, and without hats--pull and catch frantically at the dancing bellropes, the locks of their hair waving in the breeze created by their quick motions; the stranger, who has the treble bell, does likewise, but in his right mind and coat. Their ever-changing shadows mingle on the wall in an endless variety of kaleidoscopic forms, and the eyes of all the seven are religiously fixed on a diagram like a large addition sum, which is chalked on the floor.

Vividly contrasting with the yellow light of the candle upon the four unplastered walls of the tower, and upon the faces and clothes of the men, is the scene discernible through the screen beneath the tower archway. At the extremity of the long mysterious avenue of the nave and chancel can be seen shafts of moonlight streaming in at the east window of the church--blue, phosphoric, and ghostly.

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