Prosper, crouched below the window, considered what he had seen. It
was a week now since he had left Landis for a dying man. This big
fellow in tweeds must have come soon after the shooting. Evidently he
was not caring for a dead man. The black head on the pillow had moved.
Now there came the sound of speech, just a bass murmur. This time the
black head turned itself slightly and Prosper saw Pierre's face. He
had seen it only twice before; once when it had looked up, fierce and
crazed, at his first entrance into the house, once again when it lay
with lifted chin and pale lips on the floor. But even after so scarce
a memory, Prosper was startled by the change. Before, it had been the
face of a man beside himself with drink and the lust of animal power
and cruelty; now it was the wistful face of Pierre, drawn into a
tragic mask like Joan's when she came to herself; a miserably haunted
and harrowed face, hopeless as though it, too, like the outside world,
had lost or had never had a memory of sun. Evidently he submitted to
the dressing of his wound, but with a shamed and pitiful look.
Prosper's whole impression of the man was changed, and with the change
there began something like a struggle. He was afflicted by a crossing
of purposes and a stumbling of intention.