The notes of Schumann's "Traümerei" died away. Melissy glanced over her
music, and presently ran lightly into Chopin's "Valse Au Petit Chien." She
was, after all, only a girl; and there were moments when she forgot to
remember that she was wedded to the worst of unhanged villains. When she
drowned herself fathoms deep in her music, she had the best chance of
forgetting.
Chaminade's "The Flatterer" followed. In the midst of this the door opened
quietly and closed again. Melissy finished, fingered her music, and became
somehow aware that she was not alone. She turned unhurriedly on the seat
and met the smiling eyes of her husband.
From his high-heeled boots to his black, glossy hair, Black MacQueen was
dusty with travel. Beside him was a gunny sack, tied in the middle and
filled at both ends. Picturesque he was and always would be, but his
present costume scarce fitted the presence of a lady. Yet of this he gave
no sign. He was leaning back in a morris chair, rakish, debonair, and at
his ease. Evidently, he had been giving appreciative ear to the music, and
more appreciative eye to the musician.
"So it's you," said Melissy, white to the lips.
MacQueen arose, recovered his dusty hat from the floor, and bowed
theatrically. "Your long-lost husband, my dear."
"What are you doing here?"