"I will assay, then," said the knight, "a ballad composed by a Saxon
glee-man, whom I knew in Holy Land."

It speedily appeared, that if the knight was not a complete master of
the minstrel art, his taste for it had at least been cultivated under
the best instructors. Art had taught him to soften the faults of a voice
which had little compass, and was naturally rough rather than mellow,
and, in short, had done all that culture can do in supplying natural
deficiencies. His performance, therefore, might have been termed very
respectable by abler judges than the hermit, especially as the knight
threw into the notes now a degree of spirit, and now of plaintive
enthusiasm, which gave force and energy to the verses which he sung.

THE CRUSADER'S RETURN.

1.

High deeds achieved of knightly fame,
From Palestine the champion came;
The cross upon his shoulders borne,
Battle and blast had dimm'd and torn.
Each dint upon his batter'd shield
Was token of a foughten field;
And thus, beneath his lady's bower,
He sung as fell the twilight hour:-2.

"Joy to the fair!--thy knight behold,
Return'd from yonder land of gold;
No wealth he brings, nor wealth can need,
Save his good arms and battle-steed
His spurs, to dash against a foe,
His lance and sword to lay him low;
Such all the trophies of his toil,
Such--and the hope of Tekla's smile!