Lorimer regarded him with an air of reproachful offense.
"Don't go on--please don't!" he implored. "I can't stand it--I really can't! Incipient verse-mania is too much for me. Forest-empress, sea-goddess, sun-angel--by Jove! what next? You are evidently in a very bad way. If I remember rightly, you had a flask of that old green Chartreuse with you. Ah! that accounts for it! Nice stuff, but a little too strong."
Errington laughed, and, unabashed by his friend's raillery, proceeded to relate with much vivacity and graphic fervor the occurrences of the morning. Lorimer listened patiently with a forbearing smile on his open, ruddy countenance. When he had heard everything he looked up and inquired calmly-"This is not a yarn, is it?"
"A yarn!" exclaimed Philip. "Do you think I would invent such a thing?"
"Can't say," returned Lorimer imperturbably. "You are quite capable of it. It's a very creditable crammer, due to Chartreuse. Might have been designed by Victor Hugo; it's in his style. Scene, Norway--midnight. Mysterious maiden steals out of a cave and glides away in a boat over the water; man, the hero, goes into cave, finds a stone coffin, says--'Qu'est-ce que c'est? Dieu! C'est la mort!' Spectacle affreux! Staggers back perspiring; meets mad dwarf with torch; mad dwarf talks a good deal--mad people always do,--then yells and runs away. Man comes out of cave and--and--goes home to astonish his friends; one of them won't be astonished,--that's me!"