The Book of Shelter

"See here, Betty, what you need is a good fox or tango and you had better come to it up at Sue's to-night."

Tolly had broken in upon my despairing meditations over the way in which Peter's hero talks wicked business and congested charity to the poor little heroine in the very first act while she is full of a beautiful affection Peter didn't seem to see, and ready to pour it forth to the hero before he started out on a long life mission. Maybe it was sorrowing with her at being thus suppressed by everybody that made me write her case to Peter with such fervor. I had just finished the letter when Tolly came to my rescue with the offer of a nice warm dance to nourish me up.

"Don't make me kidnap you, Betty; go fluff and rose up a bit," he commanded, as he seated himself on the front steps with a determination which was as business-like as his management of the Electric Light Company.

"I think I had better go to Sue's to thaw out some of my loneliness over this play," I answered him as I looked up with desperation and a smudge on my face. Then I went to my room and left Tolly alone with Peter's poor little heroine. "Say, tell the poet to get the man with the dinner-pail who is eating hunk sandwiches at lunch-time on the pavement in front of any construction job in New York to tell him what he did and said to his girl at the firemen's ball the night before, and then translate it into some of this first-class poetry. That'll be a great play," said Tolly, as I came down-stairs just as he had turned page twenty-five of Peter's manuscript. Tolly's coarseness doesn't affect me as it does Edith because there is always so much point to it.