If Mentu, looking up from the old murkets, noted that the face of his son was weary and sad, he laid it to the sudden heat of the spring; for now it was the middle of March and Ra had grown ardent and the marshes malarious. The old housekeeper, to whom the great artist mentioned his son's indisposition, glanced sharply at the young master, touched his hand when she served him at table, and felt his forehead when she pretended to smooth his hair. And having made her furtive examination, the astute old servant told the great artist that the young master was not ill. If she had further information to impart, Mentu did not give her the opportunity, for had she not said that Kenkenes was well? So he fell to his work again.
Senci noted it, and sorrowful Io, but they, like Mentu, ascribed it to the miasmas and said nothing to the young man about himself.
But Hotep was a penetrative man, and more hidden things than his friend's ailment had been an open secret to his keen eye. He did not care to know which one of the butterflies was the fluttering object of Kenkenes' bounteous love, for Hotep knew that those high-born Memphian women, who were openly partial to the handsome young sculptor, loved him for his comeliness and his silken tongue alone. It would take a profounder soul than any they had displayed to understand and sympathize with the restive genius hidden under the smooth exterior they saw.