Part Third: A Young Man of Sixty Chapter 4 A Dash For the Last Incarnation

The vision of Somers's humble position as jackal to this lion of a family and house and studio and social reputation--Somers, to whom strange conceits and wild imaginings were departed joys never to return--led Pierston, as the painter's contemporary, to feel that he ought to be one of the bygones likewise, and to put on an air of unromantic bufferism. He refrained from entering Avice's peninsula for the whole fortnight of Somers's stay in the neighbouring town, although its grey poetical outline--'throned along the sea'--greeted his eyes every morn and eve across the roadstead.

When the painter and his family had gone back from their bathing holiday, he thought that he, too, would leave the neighbourhood. To do so, however, without wishing at least the elder Avice good-bye would be unfriendly, considering the extent of their acquaintance. One evening, knowing this time of day to suit her best, he took the few-minutes' journey to the rock along the thin connecting string of junction, and arrived at Mrs. Pierston's door just after dark.

A light shone from an upper chamber. On asking for his widowed acquaintance he was informed that she was ill, seriously, though not dangerously. While learning that her daughter was with her, and further particulars, and doubting if he should go in, a message was sent down to ask him to enter. His voice had been heard, and Mrs. Pierston would like to see him.

He could not with any humanity refuse, but there flashed across his mind the recollection that Avice the youngest had never yet really seen him, had seen nothing more of him than an outline, which might have appertained as easily to a man thirty years his junior as to himself, and a countenance so renovated by faint moonlight as fairly to correspond. It was with misgiving, therefore, that the sculptor ascended the staircase and entered the little upper sitting-room, now arranged as a sick-chamber.