In looking back after a catastrophe it is easy to trace the steps by which the inevitable advanced. Destiny marches, not by great leaps but with a thousand small and painful steps, and here and there it leaves its mark, a footprint on a naked soul. We trace a life by its scars, as a tree by its rings.

Anna Gates was not the best possible companion for Harmony, and this with every allowance for her real kindliness, her genuine affection for the girl. Life had destroyed her illusions, and it was of illusions that Harmony's veil had been woven. To Anna Gates, worn with a thousand sleepless nights, a thousand thankless days, withered before her time with the struggling routine of medical practice, sapped with endless calls for sympathy and aid, existence ceased to be spiritual and became physiological.

Life and birth and death had lost their mysteries. The veil was rent.

To fit this existence of hers she had built herself a curious creed, a philosophy of individualism, from behind which she flung strange bombshells of theories, shafts of distorted moralities, personal liberties, irresponsibilities, a supreme scorn for modern law and the prophets. Nature, she claimed, was her law and her prophet.

In her hard-working, virginal life her theories had wrought no mischief. Temptation had been lacking to exploit them, and even in the event of the opportunity it was doubtful whether she would have had the strength of her convictions. Men love theories, but seldom have the courage of them, and Anna Gates was largely masculine. Women, being literal, are apt to absorb dangerous doctrine and put it to the test. When it is false doctrine they discover it too late.