Knight's experience was a complete disproof of the assumption that love always comes by glances of the eye and sympathetic touches of the fingers: that, like flame, it makes itself palpable at the moment of generation. Not till they were parted, and she had become sublimated in his memory, could he be said to have even attentively regarded her.

Thus, having passively gathered up images of her which his mind did not act upon till the cause of them was no longer before him, he appeared to himself to have fallen in love with her soul, which had temporarily assumed its disembodiment to accompany him on his way.

She began to rule him so imperiously now that, accustomed to analysis, he almost trembled at the possible result of the introduction of this new force among the nicely adjusted ones of his ordinary life. He became restless: then he forgot all collateral subjects in the pleasure of thinking about her.

Yet it must be said that Knight loved philosophically rather than with romance.

He thought of her manner towards him. Simplicity verges on coquetry. Was she flirting? he said to himself. No forcible translation of favour into suspicion was able to uphold such a theory. The performance had been too well done to be anything but real. It had the defects without which nothing is genuine. No actress of twenty years' standing, no bald-necked lady whose earliest season 'out' was lost in the discreet mist of evasive talk, could have played before him the part of ingenuous girl as Elfride lived it. She had the little artful ways which partly make up ingenuousness.