"I would know your story. How came you and yours to this pass? Where were you born? Of what degree are you? And this Michel de la Foret, when came he to your feet--or you to his arms? I would know all. Begin where life began; end where you sit here at the feet of Elizabeth. This other cushion to your knees. There--now speak. We are alone."

Elizabeth pushed a velvet cushion towards Angele, where she half-knelt, half-sat on the rush-strewn floor of the great chamber. The warm light of the afternoon sun glowed through the thick-tinted glass high up, and, in the gleam, the heavy tapestries sent by an archduke, once suitor for Elizabeth's hand, emerged with dramatic distinctness, and peopled the room with silent watchers of the great Queen and the nobly-born but poor and fugitive Huguenot. A splendid piece of sculpture--Eleanor, wife of Edward--given Elizabeth by another royal suitor, who had sought to be her consort through many years, caught the warm bath of gold and crimson from the clerestory and seemed alive and breathing.

Against the pedestal the Queen had placed her visitor, the red cushions making vivid contrast to her white gown and black hair. In the half-kneeling, half-sitting posture, with her hands clasped before her, so to steady herself to composure, Angele looked a suppliant--and a saint. Her pure, straightforward gaze, her smooth, urbane forehead, the guilelessness that spoke in every feature, were not made worldly by the intelligence and humour reposing in the brown depths of her eyes. Not a line vexed her face or forehead. Her countenance was of a singular and almost polished smoothness, and though her gown was severely simple by comparison with silks and velvets, furs and ruffles of a gorgeous Court at its most gorgeous period, yet in it here and there were touches of exquisite fineness. The black velvet ribbon slashing her sleeves, the slight cloud-like gathering of lace at the back of her head, gave a distinguished softness to her appearance.