The Farandole

That evening Dorothy Marche stood on the terrace in the moonlight waving her plumed fan and listening to the orchestra from the hamlet of Saint-Lys. The orchestra--two violins, a reed-pipe, a biniou, and a harp--were playing away with might and main. Through the bay-window she could see the crystal chandeliers glittering with prismatic light, the slender gilded chairs, the cabinets and canapés, golden, backed with tapestry; and everywhere massed banks of ferns and lilies. They were dancing in there; she saw Lady Hesketh floating in the determined grip of Cecil Page, she saw Sir Thorald proudly prancing to the air of the farandole; Betty Castlemaine, Jack, Alixe, Barbara Lisle passed the window only to re-pass and pass again in a whirl of gauze and filmy colour; and the swish! swish! swish! of silken petticoats, and the rub of little feet on the polished floor grew into a rhythmic, monotonous cadence, beating, beating the measure of the farandole.

Dorothy waved her fan and looked at Rickerl, standing in the moonlight beside her.

"Why won't you dance, Ricky?" she asked; "it is your last evening, if you are determined to leave to-morrow." He turned to her with an abrupt gesture; she thought he was going to speak, but he did not, and after a moment she said: "Do you know what that despatch from the New York Herald to my brother means?"

"Yes," he said. His voice was dull, almost indifferent.