In a small but cosy and elegant suite of apartments in a mansion on the Rue des Capucines resided Mlle. Louise d'Armilly and her brother Léon; as has already been stated, the celebrated cantatrice had retired from the boards in consequence of having inherited a fortune of several millions of francs from the estate of her deceased father, who, rumor asserted, had been a very wealthy Parisian banker; Léon had abandoned the stage simultaneously with his sister, who had invited him to share her suddenly acquired riches, for, strange to say, the banker had not bequeathed to him a single sou.
The immense inheritance had been a complete surprise to Mlle. d'Armilly, and for some time she had hesitated to accept it, as a condition imposed by the will was her immediate withdrawal from her operatic career, and the prima donna was as ambitious as gifted; but, finally, she had yielded to the persuasive eloquence of the notary and the earnest entreaties of her friends, canceling all her engagements, and with them abandoning her bright professional future.
The director of the Académie Royale demanded a large sum to release the artiste from her contract with him, and this was paid by the notary with an alacrity that seemed to suggest he was not acting solely according to the directions of the will, but was influenced by some personage who chose to remain in the background; the notary also paid all other demands made by the various operatic managers who claimed they would lose by Mlle. d'Armilly's failure to appear; these amounts were not deducted from the legacy, a circumstance that gave additional color to the supposition that the will of the deceased banker was not the sole factor in the celebrated cantatrice's good luck.