May and November

When Phoebe was quite dressed, she peeped out of the window, and saw a
rosebush in the garden. Being a very tall one, and of luxuriant
growth, it had been propped up against the side of the house, and was
literally covered with a rare and very beautiful species of white rose.
A large portion of them, as the girl afterwards discovered, had blight
or mildew at their hearts; but, viewed at a fair distance, the whole
rosebush looked as if it had been brought from Eden that very summer,
together with the mould in which it grew. The truth was, nevertheless,
that it had been planted by Alice Pyncheon,--she was Phoebe's
great-great-grand-aunt,--in soil which, reckoning only its cultivation
as a garden-plat, was now unctuous with nearly two hundred years of
vegetable decay. Growing as they did, however, out of the old earth,
the flowers still sent a fresh and sweet incense up to their Creator;
nor could it have been the less pure and acceptable because Phoebe's
young breath mingled with it, as the fragrance floated past the window.
Hastening down the creaking and carpetless staircase, she found her way
into the garden, gathered some of the most perfect of the roses, and
brought them to her chamber.

Little Phoebe was one of those persons who possess, as their exclusive
patrimony, the gift of practical arrangement. It is a kind of natural
magic that enables these favored ones to bring out the hidden
capabilities of things around them; and particularly to give a look of
comfort and habitableness to any place which, for however brief a
period, may happen to be their home. A wild hut of underbrush, tossed
together by wayfarers through the primitive forest, would acquire the
home aspect by one night's lodging of such a woman, and would retain it
long after her quiet figure had disappeared into the surrounding shade.
No less a portion of such homely witchcraft was requisite to reclaim,
as it were, Phoebe's waste, cheerless, and dusky chamber, which had
been untenanted so long--except by spiders, and mice, and rats, and
ghosts--that it was all overgrown with the desolation which watches to
obliterate every trace of man's happier hours. What was precisely
Phoebe's process we find it impossible to say. She appeared to have no
preliminary design, but gave a touch here and another there; brought
some articles of furniture to light and dragged others into the shadow;
looped up or let down a window-curtain; and, in the course of half an
hour, had fully succeeded in throwing a kindly and hospitable smile
over the apartment. No longer ago than the night before, it had
resembled nothing so much as the old maid's heart; for there was
neither sunshine nor household fire in one nor the other, and, save for
ghosts and ghostly reminiscences, not a guest, for many years gone by,
had entered the heart or the chamber.