His sister's blunt words brought Morton face to face with himself. His heart had been touched, his imagination fired by Viola, hence his discontent, his heat of anger towards the unlovely side of her life. It was the memory of her that had kept him half-hearted to the claims of several comely women of his circle whom Kate had advocated.
And now his mind (which ought to have been given up entirely to bacteria) was filled with the face and fortunes of one who was either living a lie or suffering from an abnormally developed brain. Singular and sad predicament for a man who had determined to move slowly and with calm foresight. Furthermore, the whole world in which his love lived and moved was repellent, silly, and morbid. Since his meeting with her he had tried to read some of the journals devoted to her faith, and had found them incredibly inane--smudgily printed, slovenly of phrase, and filled with messages from Aristotle, Columbus, and Confucius, which would have been discouraging in a boy of twelve years old. The phraseology, the cant terms, nauseated him. The advertisements of "Psychics," "World-famous Mediums," "Palmists," "Horologists," and only the devil himself knows what else, filled him with disgust, added to his already poor opinion of sick humanity. Of these Viola now formed a part--as an actress shares the envy, the brag, the selfish, blatant struggle for success which is reflected in the advertising columns of dramatic journals. He ran down each column of "display ads" of The World of Spirit, timorously, almost expecting to see a notice of "the marvellous psychic Miss Viola Lambert, the mountain seeress"--and so on.