Serviss winced at times at the childish flatness of Viola's comment, but her voice was musical and her face flower-like--therefore he forgave her. With all his knowledge of the constitution of matter, he was still young and in the mating mood.
They talked of the flowers, of the trails, of the birds to be found on the heights for a time; but soon, inevitably, they came to talk of themselves. Under his questioning she outlined her plans for a musical education, and this led at last to a consideration of the Reverend Mr. Clarke.
At the first mention of his name the girl's face distinctly darkened and her answers became curiously studied, almost evasive--or so it seemed to Serviss.
"Yes, I play in his church," she said, "and he teaches me. He is a splendid musician--don't you think so? I owe a great deal to him. He has helped me so much--especially in my phrasing. He is a wonderful man. We are fortunate in having him with us."
"He struck me as a little morbid, not to say morose. Has he had trouble in his church?"
Her answer was deep-toned and affectedly solemn in one so young. "No, but his wife passed out last year."
"Passed out? What do you mean by that?"
"I mean she died."
"Oh, I see!" His inflection checked her confidence, and they rode for a little way in silence.
Serviss was thinking. The situation is now clear. Clarke is working upon this sweet and charming girl in order to have her take the place of his dead wife. A sorrowful thing to think of, but not so bad as I have been imagining. At length he asked: "What else can you tell me about this Mr. Clarke? Is he a native of the West?"