She was seen no more in the gay courts for a year. Then, of a sudden, she appeared before them all, as dazzlingly beautiful as ever, but with a haunting, wistful look in her dark eyes that could not be mistaken. The old Count found an uneasy delight in exhibiting her to the world once more, plainly as a bit of property that all men were expected to look upon with envy in their hearts. She came up out of the sombre hills, freed from what must have been nothing less than captivity in that once feudal castle, to prove to his world that she thrived in spite of prophetic babblers. They danced from court to court, grotesquely mis-mated, deceiving no one as to the true relations that existed between them. She despised him without concealment; he took pride in showing that he could best resent her attitude by the most scrupulous devotion, so marked that its intent could not be mistaken.
Then the Duke of Perse resumed his residence in Edelweiss, opening the old palace once more to the world. His daughter, after the death of the Princess, began her extended visits to the home of her girlhood. So long as the Princess was alive she remained away from Edelweiss, reluctant to meet the friend who had banished her husband long before the wedding day in Buda Pesth. Now she came frequently and stayed for weeks at a time, apparently happy during these escapes from life in the great capitals. Here, at least, she was free from the grim old man whose countess she was; here, all was sweet and warm and friendly, delicious contrast to the cold, bitter life she knew on the Danube.