Stumpy Fires the Magazine

Milo and his slaves worked frenziedly at their task, his suddenly bitter spirit flogging them to unremitting haste. In the giant's troubled face the smoldering spark of resentment had grown to an incipient blaze that required but a breath to burst into angry flame.

One great chest was filled with the choicest of the gems in the powder store; it was set aside in the entrance beside the tapestry, and another box was opened before the powder-kegs. Little Pascherette had ceased moaning, but from time to time a choking sob sounded from her alcove that increased the hard brilliancy of the light in Milo's eyes. The great chamber was silent as a mausoleum in the intervals between the clashing and tinkling of gold and stones in the chest; from the outside, by way of the rock tunnel, came only the sigh and murmur of the crooning breeze, the softened plash of the tide on the shore, the scream of wheeling seabirds. All sound of the schooner had departed; there was no human note in the whole region.

Then, as the second chest was almost full, and Milo pulled the third and last along in readiness, from the secret gallery behind the Grove came the shouts and oaths of men, weary, footsore men, but men with animal appetites whetted by the day of bloody conflict. They could be heard at the great door in the painting of the "Sleeping Venus"; not knowing its secret their way was barred. But Stumpy's hoarse roar could be heard calling them back to the ledge, and there was a note of menace in his tired tones. And mingling with his voice was the voice of a woman of the camp, raised in shrill complaint. Milo stepped to the picture and listened.