Hester and her maid looked in upon me every morning after that, until I was able to leave the hospital. During these visits we told each other the eventful story of our lives since the night of our parting at her father's gate. Her first appearance on the stage had been, as I suspected, literally represented in the play. For years she had been permitted to accompany her father behind the scenes, and nights when the cast was short she had played small parts with great success. The glamour and excitement of stage life had proved distasteful to her. She assured me that it was her intention never to go back to it, and this strengthened my hope that she would some day consent to become my wife. Rayel had told her, during my illness, the strange story of his life. She knew nothing, however, of his wonderful powers, until I had related to her some of the experiences which had revealed them to me. He had said nothing to her, I learned, about our discovery of the picture.

"Who painted the remarkable portrait of you which we saw at the theatre?" I asked her one day.

"It was painted, I believe, by a French nobleman, who presented it to me here in New York. I suppose it looks a little as I did once, but it is certainly too flattering and much too maidenly for me now.